We’re editors: we live to edit things. But sometimes the situation demands that we leave an error.
Everything has a structure — including everything we edit.
Rather than the tunes or the lyrics, editors in the music niche are working with everything else that has to do with music.
Four music editors tell us about the background that makes them good in this niche. That is, on top of their editor training.
What three music specialist editors about the resources they have on their bookshelves, besides the titles most editors have.
Three music specialist editors tell us about common errors in works about music.
Four expert editors in the music industry explain where the work comes from.
Many editors also lean toward the introvert side of the spectrum, but this doesn’t mean we’re inherently bad at networking.
We rely on software to provide a word count on our documents, but what counts as a word might surprise you.
For anyone in the business of giving advice on creative elements, gaining credibility with the decision makers is a big deal.